Maria Popova: In a new world of informational abundance, content curation is a new kind of authorship.

14 06 2011

 

@zbutcher: On Harvard’s University’s Nieman Journalism Lab site there is an excellent read on curation from Maria Popova editor of Brain PickingsShe discusses Twitter’s use “as discovery” and “curation as authorship.” If you like the excerpt below, you’re really going to enjoy the full read.

via niemanlab.org

Last week, Megan Garber wrote an excellent piece on whether Twitter is speech or text. Yet despite a number of insightful and timely points, I’d argue there is a fundamental flaw with the very dichotomy of the question. While Twitter can certainly be both, it’s inherently neither. And trying to classify it within one or both of these conventional checkboxes completely misses the point that we might, in fact, have to invent an entirely new checkbox.Twitter as discovery

Like any appropriated buzzword, the term “curation” has become nearly vacant of meaning. But, until we come up with a better one, it remains the semantic placeholder that best captures the central paradigm of Twitter as a conduit of discovery and direction for what is meaningful, interesting and relevant in the world. Just as its origin in the art world, curation online is premised on the idea that a curator with a point of view culls content around a theme that he or she deems of cultural significance. A museum can make a name for itself by being consistently reliable in hosting these conversations (take the MoMA); likewise, a curator can make a name for herself by being consistently compelling in catalyzing those conversations (take Paola Antonelli). But the museum is merely the enabler of that conversation, the curator merely its catalyst, and the cultural conversation itself takes place largely outside the walls of the museum and the control of the curator. [ more ]

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